Virtual Artist Conversation: JAKMรL / The Unveiling of Kanaval
This Saturday, March 14, I'll be joining fellow artists Steven Baboun, Bacheler Jean-Pierre, Christina Rateau, and Kedler St-Hilaire for a virtual conversation about JAKMรL: The Unveiling of Kanaval, on view at Haiti Cultural Exchange through March 29. I'd love for you to tune in.
My contribution to the exhibition is Gadyen, nine cemented horns invoking the Haitian Lwa Bossou Twa Kon and the carnival figures Lanset Kod. The chains and whip in the work are held at rest, no longer instruments of force or violence but markers of a shift from domination to remembrance. Gadyen holds reclaimed power in balance, an inheritance shaped by collective resistance and survival.
This work comes from a place I know intimately: the long-distance nationalism that many Haitians in the diaspora carry. I've experienced Kanaval in Chicago, Brooklyn, and Toronto, always in relation to Haiti, but always across distance. Kanaval and other cultural celebrations fill that absence, but it's of course not the same. That is the condition from which I make work. The hybrid forms that emerge from my practice are born through syncretism and invention, drawing from Haitian, African, and Indigenous traditions to build something that carries ancestral truth forward.
JAKMรL | The Unveiling of Kanaval is a living archive of survival stories, memory, and self-expression. I'm honored to be part of it.
Join us Saturday, March 14 | 3โ5pm
๐ Virtual Register here
Fanon (2025): Film + Discussion at The Logan Center for the Arts
Tomorrow The Logan Center for the Arts and Blacknuss.tv will co-host a special screening of feature film Fanon (2025) by Jean-Claude Flamand-Barn. It will be followed by a public panel discussion with Peter Hudis author of the book Frantz Fanon: Philosopher of the Barricadesand my father independent Haitian scholar/activist Dr William Balan-Gaubert.
The film + discussion is SOLD OUT, but Iโm going to see if I can slip in via my dad.
Learn more >>
Monuments We Carried Home / Khidr Joseph
Iโm home in Chicago this week! While Iโm here Iโm excited to catch Khidr Josephโs thesis show at SAIC. This show features the work heโs focused on the last two years and is a follow up to his solo show In Loving Memory at NYU The Gallatin Galleries and his All About Love: Community Narratives Create Change AIR 2024 residency with The Laundromat Project in Bedstuy, Brooklyn. Khidr is like a hood hero back in Brooklyn. His gorilla murals inspire, uplift, and spread love not just the Brooklyn way, but Khidrโs way.
Excited to catch up with him and see his new works in-person.
Peep the recaps for In Loving Memory and All About Love: Community Narratives ยป
JAKMรL / The Unveiling of Kanaval
JAKMรL | The Unveiling of Kanaval tells the story of a people who have always used art as a language of survival and freedom. Migration, displacement, and generational distance have often disrupted the transmission of traditions like Carnival. This exhibition is about honoring that legacy and ensuring it remains visible, especially for those in the diaspora who may feel disconnected from Haitiโs cultural history.
Through paintings, sculptural works, archival materials, and contemporary interpretations, this exhibition bridges past and present, showing how Jacmelโs Carnival continues to influence global art, and political expression while remaining deeply grounded in local community traditions. For the Haitian diaspora, the exhibition emphasizes the urgency of cultural preservation and reclamation. By engaging with Jacmelโs artistic practices and historical narratives, the exhibition encourages diasporic audiences to reconnect with their roots and recognize Carnival as a powerful symbol of identity, and continuity of Haitian culture.
Opening Reception:
Thursday, February 12, 6-9pm
35 Lafayette Ave, Brooklyn NY 11217
Featured Artists:
Steven Baboun @stevenbaboun
Tania L. Balan-Gaubert @tanialaure
Bacheler Jean-Pierre @bachbid5
Charles Jean-Pierre @cjpgallery
Lori Martineau @lo_ayiti
Christina Rateau @blue_spiritu
Kedler St-Hilaire @kedlerskyve
+ sculpture from the Tequila Minsky Private Collection
Curated by HCX Curatorial Fellow Yvena Despagne (@yvenadespagneart) and Executive Director Rรฉgine M. Roumain
Learn more about the artists ยป
Get Into: Revolt Art Fair Limited Podcast - Amy Andrieux
With deep gratitude, I have to thank Amy Andrieuxfor inviting me to show two of my chairs (my first time attending Art Week / Art Basel as an artist) in Dual Currency: Defiance by Design at the 2nd annual REVOLT Art Fair.
Amy is the Executive Director + Chief Curator of MoCADA, a Professor at Parsons School of Design, and one of the most powerful curatorial voices shaping how Black art enters the global conversation. Her work is rooted in cultural memory, radical imagination, and community as a technology โ and being included in a space she intentionally built means the world to me. A true Trailblazer in every sense of the word. Shoutout to Amy!
Listen to the episode >
REVOLT Art Fair + FORGOTTEN LANDS Community Kick Back
Iโm heading to Miami for Art Week / Art Basel and wanted to share where you can find me, my work, and the spaces Iโll be gathering in this year. Iโll have artwork on view at REVOLT Art Fair, and Iโll also be hosting a community kickback with FORGOTTEN LANDS. If youโll be in Miami, Iโd love to see you.
Balanse GEDE
๐ข๐พ๐
๐พ๐ป๐๐บ๐๐พ ๐ง๐บ๐๐๐โ๐ ๐๐๐๐พ๐๐ฟ๐๐
๐๐๐๐๐๐๐๐บ๐
๐๐๐บ๐ฝ๐๐๐๐๐ ๐๐๐๐ ๐๐ข๐ญ๐ข๐ฏ๐ด๐ฆ ๐๐ฆ๐ฅ๐ฆ โ ๐บ ๐๐๐
๐๐๐ฝ๐๐๐ผ๐๐๐
๐๐๐บ๐๐ ๐พ๐๐๐๐ป๐๐๐๐๐ ๐๐๐๐๐๐๐๐ ๐๐๐พ ๐ฆ๐พ๐ฝ๐พ ๐๐๐๐๐๐๐ ๐๐ฟ ๐ง๐บ๐๐๐๐บ๐ ๐ต๐๐ฝ๐๐. ๐ข๐๐๐บ๐๐พ๐ฝ ๐ป๐ ๐ธ๐๐พ๐๐บ ๐ฃ๐พ๐๐๐บ๐๐๐พ @๐บ๐๐๐๐บ๐๐๐๐ ๐บ๐๐ฝ ๐ผ๐-๐ผ๐๐๐บ๐๐พ๐ฝ ๐ป๐ ๐ฉ๐พ๐๐๐๐ผ๐บ ๐ฅ๐๐บ๐๐ผ๐๐๐๐พ @๐๐บ๐๐๐๐พ๐
๐๐๐ผ๐บ, ๐๐๐พ ๐๐๐๐ ๐ฟ๐พ๐บ๐๐๐๐พ๐ ๐๐๐๐๐บ๐
๐
๐บ๐๐๐๐๐, ๐๐บ๐๐๐๐๐๐๐, ๐๐ผ๐๐
๐๐๐๐๐พ๐, ๐๐
๐
๐๐๐๐๐บ๐๐๐๐๐, + ๐๐๐๐๐๐๐๐บ๐๐๐ ๐ป๐ ๐บ ๐ผ๐๐
๐
๐พ๐ผ๐๐๐๐พ ๐๐ฟ ๐บ๐๐๐๐๐๐ ๐ฝ๐พ๐พ๐๐
๐ ๐๐๐๐๐พ๐ฝ ๐๐ ๐ง๐บ๐๐๐๐บ๐ ๐ผ๐๐
๐๐๐๐พ ๐บ๐๐ฝ ๐บ๐๐ผ๐พ๐๐๐๐.
๐จ๐๐๐๐๐๐พ๐ฝ by Fรจt Gede, ๐ง๐บ๐๐๐โ๐ ๐บ๐๐๐๐บ๐
๐ผ๐พ๐
๐พ๐ป๐๐บ๐๐๐๐ ๐๐ฟ ๐๐๐พ ๐ฝ๐พ๐บ๐ฝ โ ๐๐๐พ๐๐พ ๐
๐๐ฟ๐พ, ๐ฝ๐พ๐บ๐๐, ๐บ๐๐ฝ ๐๐๐ ๐๐๐๐พ๐๐๐๐๐๐พ. ๐ฃ๐๐โ๐ ๐๐๐๐ ๐๐๐๐ ๐๐๐ป๐๐บ๐๐, ๐๐๐๐พ๐๐๐๐๐พ ๐พ๐๐๐พ๐๐๐พ๐๐ผ๐พ.
Featuring works by:
๐ณ๐บ๐๐๐บ ๐ซ. ๐ก๐บ๐
๐บ๐-๐ฆ๐บ๐๐ป๐พ๐๐ @๐๐บ๐๐๐บ๐
๐บ๐๐๐พ
๐ฒ๐๐พ๐๐พ๐ ๐ก๐บ๐ป๐๐๐ @๐๐๐พ๐๐พ๐๐ป๐บ๐ป๐๐๐
๐ฑ๐๐ ๐ข๐
๐พ๐๐พ๐๐ @๐๐๐๐_๐๐๐พ๐๐๐_๐บ๐๐พ๐
๐๐พ๐
๐ฏ๐๐พ๐
๐๐
๐บ @๐๐๐พ๐
๐๐
๐บ
๐ฒ๐ ๐ฌ๐ฃ๐จ @๐๐บ๐๐ฝ๐.๐บ๐๐๐๐
๐บ
๐ฏ๐๐พ๐๐๐พ ๐ฌ๐๐ผ๐๐พ๐
๐ฉ๐พ๐บ๐ @๐๐๐ฟ๐๐๐๐๐๐บ๐ฟ๐
๐ข๐ฝ๐ฒ๐ป๐ถ๐ป๐ด ๐ฅ๐ฒ๐ฐ๐ฒ๐ฝ๐๐ถ๐ผ๐ป: ๐ข๐ฐ๐๐ผ๐ฏ๐ฒ๐ฟ ๐ญ๐ฌ, ๐ฎ๐ฌ๐ฎ๐ฑ
๐ง๐ถ๐บ๐ฒ: ๐ฒ:๐ฌ๐ฌ๐ฝ๐บ - ๐ด:๐ฌ๐ฌ๐ฝ๐บ
๐๐ซ๐บ๐๐บ๐ ๐ฒ๐บ๐๐๐พ | ๐ฉ๐ซ๐ฅ ๐ฑ๐๐๐พ๐๐ ๐ ๐๐พ, ๐ก๐๐๐๐๐ ๐๐, ๐ญ๐ธ ๐ฃ๐ฃ๐ค๐ค๐จ
This is your standing invitation.
From openings to events to programs that move me, this is where I share what Iโm getting into, with whom, and where.
See you.
LET'S ART DATE
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LET'S ART DATE +